An explanation of this poem:
The more I meet other poets and listen to their performances, the more I am amazed by two types of poetry: form--a departure from free verse and a journey back to older styles using meter and rhyme more formally, illustrated in the first part of the poem--and performance poetry or spoken word--poetry which gains its strength in the performance, illustrated in the second part of the poem. I'm not sure I'm good at either one. After hearing some of these genius voices, I wrote about trying to find my voice:
I wish I wrote my poems with such style
That everyone that heard would be amazed
At how the syllables danced, all the while
Enchanting readers helpless, listening, dazed.
But I don’t do that.
I wish I was a master of spoken word
demanding my message be heard
or I’ll knock you ‘side the head with my diction
the prediction in my fiction
forcing you to grab on, hold tight,
spin around,
shaking you,
breaking you,
making you
love the mouse that roared
in my house that soared higher than anybody
ever thought poetry could take them.
I could throw in an “ation”
like syncopation
with the nation
of anticipation.
I wanna curse
and be political,
maybe even Democrat.
But I don’t do that.
All I can do
is stand
on white tile
and bleed
and cry as I try to clean the mess
and hope
that someone who hears me
feels somewhat warmer
knowing that the coldness of the world
is shared.
Audio of this poem
28 May 2009
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